Newsletters

Resources

Video Library

Classroom Visits and special events

Hindi Lessons
 

April 28- May 1 :
International Film Festival Announced

April 30,2005 :
NRC Consortium Workshop:
Indian Cotton:Biology and Utility,
Meanings and Histories

 

Home>Outreach>Resources

Rajhastani Puppets- Introduction to Puppets

A boy from Rajhastan showing off his puppet

A woman almost done making a puppet

Kathputli or puppets are considered by the Bhat caste, that makes them and performs with them, to be manifestations of the goddess

For millennia, people around the world have used performing arts to convey their most important social values and cultural ideals. In addition, they provide cultural critiques, alter the social order, and are imbued with great symbolic meaning. The same is true of the kathputli or puppet tradition of Rajasthan, as the practitioners of this ancient art have entertained, made social commentary, and passed down important information for countless generations. In fact, many scholars believe that puppetry even predates human theater on the subcontinent. Also, the low social position of the Bhats, who uphold the kathputli tradition, allows them to express controversial ideas and social critiques in ways that members of other castes cannot.

Lifestyles of the Puppeteers:

Like other entertainer castes, the Bhat puppeteers traditionally lived in close-knit social units and had a semi-nomadic way of life that revolved around seasonal work. Members of this caste usually lived in extended family units that were led by the eldest male puppeteer. During the monsoon season, which usually runs from mid June to September in Rajasthan, the Bhats would remain close to home to cultivate their land. They would also visit and recite genealogies for other caste groups in their villages.

Children in front of Deras making puppets

 

 

Woman making a bag-pipe