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DESCRIPTION:Moynihan Institute of Global Affairs\, South Asia Center Presen
 t:&nbsp\;Richard Wolf\,&nbsp\;Professor\, Music and South Asian Studies\, 
 Harvard UniversityImpression and Presence in Badakhshan and BeyondWriters 
 in Arabic and Persian have used notions of\nimpression\, effect\, or influ
 ence\, ta’s̲īr\, to express how qualities of\nhuman character correspond t
 o the sounds of music and poetry\, and argued that\nthe latter can actuall
 y shape the former. &nbsp\;&nbsp\;Focusing on the tradition of singing in 
 the\nregion of Darvoz—literally the gateway to the mountainous historical 
 region\nknown as Badakhshan in Tajikistan and Afghanistan—Wolf will make t
 wo points: 1)\nthe relation of “presence” to “impression” is concretized t
 hrough different\nforms of musical transmission\, and 2) texts are seen to
  impress themselves on\nlisteners by particular musical means.For more inf
 ormation\, please contact Emera Bridger Wilson (elbridge@syr.edu).&nbsp\;S
 ponsoring Department: South Asia Center\, Moynihan Institute of Global Aff
 airs\, Department of Art and Music History
DTEND:20181130T183000Z
DTSTAMP:20260513T110738Z
DTSTART:20181130T173000Z
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SUMMARY:Impression and Presence in Badakhshan and Beyond - SAC
UID:RFCALITEM639142528586742581
X-ALT-DESC;FMTTYPE=text/html:<p>Moynihan Institute of Global Affairs\, Sout
 h Asia Center Present:&nbsp\;</p><p>Richard Wolf\,&nbsp\;Professor\, Music
  and South Asian Studies\, Harvard University</p><p><b>Impression and Pres
 ence in Badakhshan and Beyond</b></p><p>Writers in Arabic and Persian have
  used notions of\nimpression\, effect\, or influence\, <i>ta’s̲īr\,</i> to
  express how qualities of\nhuman character correspond to the sounds of mus
 ic and poetry\, and argued that\nthe latter can actually shape the former.
  &nbsp\;&nbsp\;Focusing on the tradition of singing in the\nregion of Darv
 oz—literally the gateway to the mountainous historical region\nknown as Ba
 dakhshan in Tajikistan and Afghanistan—Wolf will make two points: 1)\nthe 
 relation of “presence” to “impression” is concretized through different\nf
 orms of musical transmission\, and 2) texts are seen to impress themselves
  on\nlisteners by particular musical means.</p><p>For more information\, p
 lease contact Emera Bridger Wilson (elbridge@syr.edu).&nbsp\;</p><p>Sponso
 ring Department: South Asia Center\, Moynihan Institute of Global Affairs\
 , Department of Art and Music History</p>
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