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DTSTART:20251102T020000
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DESCRIPTION:Approaching Local History through Performance: Recasting the Tr
 adition of Jikadi-Bhajan to the Recent History of Bharatpur In this paper\
 , Ian will introduce and consider a presentation of the history of Bharatp
 ur state by a performer through a piece based upon the genre of the jikadi
 -bhajan. This genre is a style of competitive performance draws upon prose
 \, poetry\, and singing to address the stories and characters of the Mahab
 harata\, however\, in the mid-twentieth century\, with the rise of postcol
 onial politics\, this genre was adapted to represent local history and con
 nected to political campaigning. Currently the piece\, while still linked 
 to politics\, is understood in one village as a dominant and recognized mo
 de of presenting the past.&nbsp\;&nbsp\;
DTEND:20100216T173000Z
DTSTAMP:20260512T085016Z
DTSTART:20100216T173000Z
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SUMMARY:SAC presents: Ian Wilson
UID:RFCALITEM639141582166105693
X-ALT-DESC;FMTTYPE=text/html:Approaching Local History through Performance:
  Recasting the Tradition of Jikadi-Bhajan to the Recent History of Bharatp
 ur In this paper\, Ian will introduce and consider a presentation of the h
 istory of Bharatpur state by a performer through a piece based upon the ge
 nre of the jikadi-bhajan. This genre is a style of competitive performance
  draws upon prose\, poetry\, and singing to address the stories and charac
 ters of the Mahabharata\, however\, in the mid-twentieth century\, with th
 e rise of postcolonial politics\, this genre was adapted to represent loca
 l history and connected to political campaigning. Currently the piece\, wh
 ile still linked to politics\, is understood in one village as a dominant 
 and recognized mode of presenting the past.&nbsp\;&nbsp\;
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