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DTSTART:20251102T020000
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DESCRIPTION:The Anthropology Department welcomes Dr. Pamela L. Geller\, pro
 fessor of anthropology at the University of Miami\, to deliver her lecture
 \, “I Wish You Had Created Me So That I Could Die: An Archaeology of the P
 lastic Bag.”The plastic T-shirt bag is a ubiquitous though small thing for
 gotten. Its utilitarian value is predicated on the presumption of low-cost
 \, convenience and durability. But at what price\, in what kind of conditi
 ons\, and for how long? Archaeological evidence marshaled highlights the m
 ultiple paradoxes of plastics. Here I track the lifecycle of this artifact
 \, working backwards from landfill to recycling facility to archive storag
 e room to excavation unit to factory floor. Such contextualization reveals
  information about typology\, degradation and significance.An archaeology 
 of plastics also signals a paradox in the discipline. Practitioners' use o
 f plastics takes myriad forms—bags\, tarps containers. But few archaeologi
 sts call such material culture into question. Given the growing documentat
 ion of plastics' adverse effects on human and planetary health\, however\,
  continued reliance may be read as complicity. The identification of susta
 inable alternatives is one possible solution\, though it is one not easily
  realized. Perhaps\, then\, plastics' paradoxes nudge archaeologists to as
 sess the unsustainability of our disciplinary ethos\, especially those pra
 ctices that promote endless excavation\, storage and curation of archaeolo
 gical materials.
DTEND:20250925T213000Z
DTSTAMP:20260515T143045Z
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SUMMARY:I Wish You Had Created Me So That I Could Die: An Archaeology of th
 e Plastic Bag
UID:RFCALITEM639144378455713607
X-ALT-DESC;FMTTYPE=text/html:<p>The Anthropology Department welcomes Dr. Pa
 mela L. Geller\, professor of anthropology at the University of Miami\, to
  deliver her lecture\, “I Wish You Had Created Me So That I Could Die: An 
 Archaeology of the Plastic Bag.”</p><p>The plastic T-shirt bag is a ubiqui
 tous though small thing forgotten. Its utilitarian value is predicated on 
 the presumption of low-cost\, convenience and durability. But at what pric
 e\, in what kind of conditions\, and for how long? Archaeological evidence
  marshaled highlights the multiple paradoxes of plastics. Here I track the
  lifecycle of this artifact\, working backwards from landfill to recycling
  facility to archive storage room to excavation unit to factory floor. Suc
 h contextualization reveals information about typology\, degradation and s
 ignificance.</p><p>An archaeology of plastics also signals a paradox in th
 e discipline. Practitioners' use of plastics takes myriad forms—bags\, tar
 ps containers. But few archaeologists call such material culture into ques
 tion. Given the growing documentation of plastics' adverse effects on huma
 n and planetary health\, however\, continued reliance may be read as compl
 icity. </p><p>The identification of sustainable alternatives is one possib
 le solution\, though it is one not easily realized. Perhaps\, then\, plast
 ics' paradoxes nudge archaeologists to assess the unsustainability of our 
 disciplinary ethos\, especially those practices that promote endless excav
 ation\, storage and curation of archaeological materials.</p>
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