BEGIN:VCALENDAR
VERSION:2.0
METHOD:PUBLISH
PRODID:-//Telerik Inc.//Sitefinity CMS 15.1//EN
BEGIN:VTIMEZONE
TZID:Eastern Standard Time
BEGIN:STANDARD
DTSTART:20251102T020000
RRULE:FREQ=YEARLY;BYDAY=1SU;BYHOUR=2;BYMINUTE=0;BYMONTH=11
TZNAME:Eastern Standard Time
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
END:STANDARD
BEGIN:DAYLIGHT
DTSTART:20250301T020000
RRULE:FREQ=YEARLY;BYDAY=2SU;BYHOUR=2;BYMINUTE=0;BYMONTH=3
TZNAME:Eastern Daylight Time
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DESCRIPTION:Moynihan Institute of Global Affairs Program on Latin America a
 nd the Caribbean present Julieta tiene la culpa (It´s Juliet fault): Femal
 e Protagonists\, Intertextuality\, Performance and New ParadigmsA Workshop
  and\nLecture by Bárbara Colio\, \nPlaywright and Theater\nDirector  \n\nJ
 ulieta tiene la culpa (It’s\nJuliet’s Fault) is\na play that reunites thre
 e great female characters of the modern theater: Blanca from Tennessee Wil
 liams’s A Streetcar Named Desire\; Nina from Anton Chekhov’s The Seagull\;
  and Nora from Henrick Ibsen’s A\nDoll’s House. Taken out of their\norigin
 al context\, these women meet in the lobby of a theater where the\ncoincid
 ence of meeting each other and learning about each other’s story\nprovokes
  them to reconsider their own life. Bárbara Colio’s work explores new\npat
 hs for women to consider.  \n\nBárbara Colio’s plays have been\nperformed 
 in Spain\, Portugal\, France\, New York\, England\, Italy\, Argentina\,\nP
 eru\, Costa Rica and in diverse locations in Mexico. They have been transl
 ated\nto English\, Portuguese\, Gallego\, and French. Her work has receive
 d several\nstate\, national and international awards and she has thirteen 
 important\npublications. She has been a member of Mexico’s Sistema Naciona
 l de Creadores\nde Arte and a Resident Writer at the Royal Court Theatre i
 n London\, as well as\nin New York\, Spain\, and Singapore. She was also t
 he first Latin American\nwriting resident in Sun Yat Sen\, China. Ms. Coli
 o has a Master’s\nDegree of Advanced Studies in Theater from the Universid
 ad Internacional in\nRioja\, Spain. She is Professor of Dramatic Compositi
 on and Dramaturgy at the&nbsp\;Universidad Nacional Autónoma\nof Mexico an
 d at the Escuela Nacional de Arte Teatral.&nbsp\;In 2017 she was awarded t
 he Juan Ruiz de Alarcón Award for her\nachievements and contributions to M
 exican theater. She was the fifth woman to\nreceive this award in the past
  thirty years. \n\n\n\n\n\nSponsored by Moynihan Institute of Global Affai
 rs\,&nbsp\;Program on Latin America and the Caribbean (PLACA)\,&nbsp\;Cent
 ral\nNew York Humanities Corridor from an award by the Andrew W. Mellon Fo
 undation\, Department of Languages\, Literatures\, and Linguistics\,&nbsp\
 ;and Latino-Latin American Studies Program (LLAS) Contact Havva Karakas-Ke
 les for more information: hkarakas@syr.edu 
DTEND:20191106T203500Z
DTSTAMP:20260511T111722Z
DTSTART:20191106T191500Z
LOCATION:
SEQUENCE:0
SUMMARY:Julieta tiene la culpa (It´s Juliet's fault): Female Protagonists\,
  Intertextuality\, Performance and New Paradigms
UID:RFCALITEM639140806424215399
X-ALT-DESC;FMTTYPE=text/html:<p>Moynihan Institute of Global Affairs </p><p
 >Program on Latin America and the Caribbean </p><p>present </p><p><strong>
 Julieta tiene la culpa (It´s Juliet fault): Female Protagonists\, Intertex
 tuality\, Performance and New Paradigms</strong><br></p><p>A Workshop and\
 nLecture by Bárbara Colio\, \nPlaywright and Theater\nDirector </p><p> \n\
 n</p><p><i>Julieta tiene la culpa (It’s\nJuliet’s Fault) </i>is\na play th
 at reunites three great female characters of the modern theater: <b>Blanca
 </b> from Tennessee Williams’s <i>A Streetcar Named Desire</i>\; <b>Nina</
 b> from Anton Chekhov’s <i>The Seagull</i>\; and <b>Nora</b> from Henrick 
 Ibsen’s <i>A</i>\n<i>Doll’s House</i>. Taken out of their\noriginal contex
 t\, these women meet in the lobby of a theater where the\ncoincidence of m
 eeting each other and learning about each other’s story\nprovokes them to 
 reconsider their own life. Bárbara Colio’s work explores new\npaths for wo
 men to consider. </p><p> \n\n</p>Bárbara Colio’s plays have been\nperforme
 d in Spain\, Portugal\, France\, New York\, England\, Italy\, Argentina\,\
 nPeru\, Costa Rica and in diverse locations in Mexico. They have been tran
 slated\nto English\, Portuguese\, Gallego\, and French. Her work has recei
 ved several\nstate\, national and international awards and she has thirtee
 n important\npublications. She has been a member of Mexico’s Sistema Nacio
 nal de Creadores\nde Arte and a Resident Writer at the Royal Court Theatre
  in London\, as well as\nin New York\, Spain\, and Singapore. She was also
  the first Latin American\nwriting resident in Sun Yat Sen\, China. Ms. Co
 lio has a Master’s\nDegree of Advanced Studies in Theater from the Univers
 idad Internacional in\nRioja\, Spain. She is Professor of Dramatic Composi
 tion and Dramaturgy at the&nbsp\;Universidad Nacional Autónoma\nof Mexico 
 and at the Escuela Nacional de Arte Teatral.&nbsp\;In 2017 she was awarded
  the <i>Juan Ruiz de Alarcón Award</i> for her\nachievements and contribut
 ions to Mexican theater. She was the fifth woman to\nreceive this award in
  the past thirty years. <p>\n\n</p><p>\n\n</p><p>\n\nSponsored by Moynihan
  Institute of Global Affairs\,&nbsp\;Program on Latin America and the Cari
 bbean (PLACA)\,&nbsp\;Central\nNew York Humanities Corridor from an award 
 by the Andrew W. Mellon Foundation\, Department of Languages\, Literatures
 \, and Linguistics\,&nbsp\;and Latino-Latin American Studies Program (LLAS
 ) </p><p>Contact Havva Karakas-Keles for more information: <a href="mailto
 :hkarakas@syr.edu">hkarakas@syr.edu</a> </p><p><br></p>
END:VEVENT
END:VCALENDAR
