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DTSTART:20251102T020000
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DESCRIPTION:Moynihan Institute of Global Affairs&nbsp\;Program on Latin Ame
 rica and the Caribbean &nbsp\;present &nbsp\;\n\nUruguayan Theatre and its
 \nAfterlives&nbsp\;&nbsp\;A talk by&nbsp\;Sophie Stevens\, King’s College 
 London&nbsp\;Award-winning\ndramatist Raquel Diana (1960) has described he
 rself as a ‘teatrista’\; trained\nas an actor\, she came to writing and di
 recting in the late 1990s. Drawing on my\nresearch into her work\, this ta
 lk will illustrate the dynamic way in which\nUruguayan theatre is evolving
  today. I will analyse key initiatives intended to\ncreate and promote nat
 ional theatre in Uruguay\, particularly since the return\nto democracy in 
 1985. The talk will explore current opportunities for female dramatists\nt
 o share their work\, including the significance of certain prizes\, instit
 utions\nand festivals in raising their profile. In this way\, it will exam
 ine examples\nof how Uruguayan plays cross borders and move beyond their p
 lace of origin to\nhave an impact in Latin America and beyond.&nbsp\;Spons
 ored by Moynihan Institute of Global Affairs\; Program on Latin America an
 d the Caribbean (PLACA\; Centro de Estudios Hispánicos\; Department of Lan
 guages\, Literatures\, and Linguistics\; Lino Novás Calvo Fund\; Syracuse 
 University Humanities Center\; Latino-Latin American Studies Program (LLAS
 )&nbsp\; &nbsp\;Contact Havva Karakas-Keles for more information: hkarakas
 @syr.edu &nbsp\;\n\n
DTEND:20181105T193000Z
DTSTAMP:20260511T070143Z
DTSTART:20181105T174500Z
LOCATION:
SEQUENCE:0
SUMMARY:Uruguayan Theatre and its Afterlives 
UID:RFCALITEM639140653039312033
X-ALT-DESC;FMTTYPE=text/html:<p>Moynihan Institute of Global Affairs&nbsp\;
 </p><p>Program on Latin America and the Caribbean &nbsp\;</p><p>present &n
 bsp\;</p><p><strong>\n\n</strong></p><b>Uruguayan Theatre and its\nAfterli
 ves&nbsp\;</b><strong>&nbsp\;</strong><p>A talk by&nbsp\;Sophie Stevens\, 
 King’s College London&nbsp\;</p><p><br>Award-winning\ndramatist Raquel Dia
 na (1960) has described herself as a ‘teatrista’\; trained\nas an actor\, 
 she came to writing and directing in the late 1990s. Drawing on my\nresear
 ch into her work\, this talk will illustrate the dynamic way in which\nUru
 guayan theatre is evolving today. I will analyse key initiatives intended 
 to\ncreate and promote national theatre in Uruguay\, particularly since th
 e return\nto democracy in 1985. The talk will explore current opportunitie
 s for female dramatists\nto share their work\, including the significance 
 of certain prizes\, institutions\nand festivals in raising their profile. 
 In this way\, it will examine examples\nof how Uruguayan plays cross borde
 rs and move beyond their place of origin to\nhave an impact in Latin Ameri
 ca and beyond.&nbsp\;</p><p><span></span>Sponsored by Moynihan Institute o
 f Global Affairs\; Program on Latin America and the Caribbean (PLACA\; Cen
 tro de Estudios Hispánicos\; Department of Languages\, Literatures\, and L
 inguistics\; Lino Novás Calvo Fund\; Syracuse University Humanities Center
 \; Latino-Latin American Studies Program (LLAS)&nbsp\; &nbsp\;</p><p>Conta
 ct Havva Karakas-Keles for more information: <a href="mailto:hkarakas@syr.
 edu">hkarakas@syr.edu</a> &nbsp\;</p><p>\n\n<br></p>
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