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DTSTART:20251102T020000
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DESCRIPTION:Padma Kaimal Associate Professor\, Department of Art and Art Hi
 story and Asian Studies\, Colgate University Many Paths to the Divine: Dyn
 amics of Vision in a Hindu Temple What can it mean to interpret a temple\,
  to get at what and how a building meant to the people who built it and to
  those who first moved through its spaces\, past its sculptures\, painting
 s\, and the words written on its walls? After attempting to fix – like a b
 utterfly to a board – the meaning of the 8th-century Kailasanatha temple n
 ear the modern city of Chennai\, Kaimal now explores more fluid mechanisms
  for the operation of meaning at this influential South Asian monument. A 
 series of clusters\, threads\, and webs of signs variously enfold parts of
  this temple complex\, shifting with the viewer’s movements and the angle 
 of light\, connecting and dividing like the pieces of an elegant puzzle wi
 th multiple solutions. 
DTEND:20120403T173000Z
DTSTAMP:20260512T062352Z
DTSTART:20120403T163000Z
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SUMMARY:South Asia Center presents: Padma Kaimal
UID:RFCALITEM639141494326170036
X-ALT-DESC;FMTTYPE=text/html:Padma Kaimal Associate Professor\, Department 
 of Art and Art History and Asian Studies\, Colgate University Many Paths t
 o the Divine: Dynamics of Vision in a Hindu Temple What can it mean to int
 erpret a temple\, to get at what and how a building meant to the people wh
 o built it and to those who first moved through its spaces\, past its scul
 ptures\, paintings\, and the words written on its walls? After attempting 
 to fix – like a butterfly to a board – the meaning of the 8th-century Kail
 asanatha temple near the modern city of Chennai\, Kaimal now explores more
  fluid mechanisms for the operation of meaning at this influential South A
 sian monument. A series of clusters\, threads\, and webs of signs variousl
 y enfold parts of this temple complex\, shifting with the viewer’s movemen
 ts and the angle of light\, connecting and dividing like the pieces of an 
 elegant puzzle with multiple solutions. <br>
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