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DTSTART:20251102T020000
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DESCRIPTION:Moynihan Institute of Global Affairs South Asia Center presentC
 oralynn DavisProfessor of Women’s &amp\; Gender Studies and AnthropologyBu
 cknell UniversityThis presentation describes the unique role that Mithila 
 Art has played in the making of a film about changing women’s lives in Mit
 hila. Davis explores how Mithila Art has helped illuminate various aspects
  of the relationship between gendered Maithil narratives and social roles 
 in conjunction with a participatory action research project\, begun in lat
 e 2016\, in and around the town of Madhubani in Bihar\, India.&nbsp\;Part 
 of the Ray Smith Symposium—in conjunction with Syracuse Symposium.&nbsp\; 
 For more information\, please contact Emera Bridger Wilson\, elbridge@syr.
 edu. 
DTEND:20190416T230000Z
DTSTAMP:20260512T161055Z
DTSTART:20190416T220000Z
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SUMMARY:Telling Women’s Stories through Painting and Filmmaking in Mithila\
 , Bihar\, India
UID:RFCALITEM639141846556344291
X-ALT-DESC;FMTTYPE=text/html:<p>Moynihan Institute of Global Affairs </p><p
 >South Asia Center </p><p>present</p><p><br></p><p><strong>Coralynn Davis<
 /strong><br>Professor of Women’s &amp\; Gender Studies and Anthropology<br
 >Bucknell University<br></p><p><br></p><p>This presentation describes the 
 unique role that Mithila Art has played in the making of a film about chan
 ging women’s lives in Mithila. Davis explores how Mithila Art has helped i
 lluminate various aspects of the relationship between gendered Maithil nar
 ratives and social roles in conjunction with a participatory action resear
 ch project\, begun in late 2016\, in and around the town of Madhubani in B
 ihar\, India.&nbsp\;<br><br></p><p>Part of the Ray Smith Symposium—in conj
 unction with Syracuse Symposium.&nbsp\; </p><p>For more information\, plea
 se contact Emera Bridger Wilson\, elbridge@syr.edu. </p>
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