BEGIN:VCALENDAR
VERSION:2.0
METHOD:PUBLISH
PRODID:-//Telerik Inc.//Sitefinity CMS 15.1//EN
BEGIN:VTIMEZONE
TZID:Eastern Standard Time
BEGIN:STANDARD
DTSTART:20251102T020000
RRULE:FREQ=YEARLY;BYDAY=1SU;BYHOUR=2;BYMINUTE=0;BYMONTH=11
TZNAME:Eastern Standard Time
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
END:STANDARD
BEGIN:DAYLIGHT
DTSTART:20250301T020000
RRULE:FREQ=YEARLY;BYDAY=2SU;BYHOUR=2;BYMINUTE=0;BYMONTH=3
TZNAME:Eastern Daylight Time
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DESCRIPTION:Lex Jing Lu\, Doctoral Candidate in History\, Syracuse Universi
 tyThe Face as Battlefield: Print\, Power\, and Beauty in the Early Years o
 f the People's Republic of ChinaHow should a revolutionary’s face be depic
 ted? This question puzzled and preoccupied printing houses and even the Ch
 inese Communist Party’s censorship bureau immediately after the 1949 Revol
 ution. By examining the archival documents of the Shanghai Press and Publi
 cation Bureau and the prototype prints designed by the People’s Fine Arts 
 Publishing House\, this presentation will investigate the Party’s construc
 tion of male revolutionary beauty in the early years of the People’s Repub
 lic.Lex Jing Lu is a Ph.D. Candidate in the History Department at the Maxw
 ell School. His dissertation explores the ways that changing political and
  cultural landscape affected male beauty standards in late imperial and mo
 dern China. Open to the public.Sponsored by the East Asia Program at the M
 oynihan Institute of Global Affairs
DTEND:20141031T173000Z
DTSTAMP:20260514T101100Z
DTSTART:20141031T163000Z
LOCATION:
SEQUENCE:0
SUMMARY:EA presents: Lex Jing Lu
UID:RFCALITEM639143358608834933
X-ALT-DESC;FMTTYPE=text/html:<p></p><p></p><p><b>Lex Jing Lu\,</b> <i>Docto
 ral Candidate in History\, Syracuse University</i></p><p><b>The Face as Ba
 ttlefield: Print\, Power\, and Beauty in the Early Years of the People's R
 epublic of China</b></p><p>How should a revolutionary’s face be depicted? 
 This question puzzled and preoccupied printing houses and even the Chinese
  Communist Party’s censorship bureau immediately after the 1949 Revolution
 . By examining the archival documents of the Shanghai Press and Publicatio
 n Bureau and the prototype prints designed by the People’s Fine Arts Publi
 shing House\, this presentation will investigate the Party’s construction 
 of male revolutionary beauty in the early years of the People’s Republic.<
 /p><p>Lex Jing Lu is a Ph.D. Candidate in the History Department at the Ma
 xwell School. His dissertation explores the ways that changing political a
 nd cultural landscape affected male beauty standards in late imperial and 
 modern China.<br></p><p> Open to the public.</p><p><b><i>Sponsored by the 
 East Asia Program at the Moynihan Institute of Global Affairs</i></b></p><
 p></p><p></p>
END:VEVENT
END:VCALENDAR