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DTSTART:20251102T020000
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DESCRIPTION:Moynihan&nbsp\;South Asia Center presents: Saloka&nbsp\;Sengupt
 a - Kinship is Hardship: An Ethnographic Study of the Nachnis of West&nbsp
 \;Bengal\, IndiaSaloka Sengupta\, Doctoral Student\, Department of Anthrop
 ology\, Indian Institute of Technology Hyberabad\n\nNachni\nnach\, a\ndanc
 e form from the eastern Indian state of West Bengal\, is witnessing tough\
 ntimes in its five hundred year history. Looking at how the nachni\nmoves 
 from one musician to another\, this paper explores the redefining of\nkins
 hip amongst women performers of a folk art form which is in crisis\, in th
 e\nage of the Internet. \n\nSponsored by the South Asia Center at the Moyn
 ihan Institute of Global Affairs&nbsp\;
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DTSTAMP:20260305T074533Z
DTSTART:20161108T170000Z
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SUMMARY:Moynihan South Asia Center: Kinship is Hardship: An Ethnographic St
 udy of the Nachnis of West Bengal\, India
UID:RFCALITEM639082755333543712
X-ALT-DESC;FMTTYPE=text/html:<p><b>Moynihan&nbsp\;South Asia Center present
 s: Saloka&nbsp\;Sengupta - Kinship is Hardship: An Ethnographic Study of t
 he Nachnis of West&nbsp\;Bengal\, India</b></p><p><br></p><p><b>Saloka Sen
 gupta</b>\, <i>Doctoral Student\, Department of Anthropology\, Indian Inst
 itute of Technology Hyberabad</i></p><p><br></p><p>\n\n</p><p><i>Nachni\nn
 ach</i>\, a\ndance form from the eastern Indian state of West Bengal\, is 
 witnessing tough\ntimes in its five hundred year history. Looking at how t
 he <i>nachni\n</i>moves from one musician to another\, this paper explores
  the redefining of\nkinship amongst women performers of a folk art form wh
 ich is in crisis\, in the\nage of the Internet. </p><p><br></p><p>\n\n<b><
 i>Sponsored by the South Asia Center at the Moynihan Institute of Global A
 ffairs&nbsp\;</i></b></p>
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