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DTSTART:20251102T020000
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DESCRIPTION:Salsa: A Roundtable Discussion on&nbsp\;the Origins\, Politics 
 and Practices of the Popular Dance In\nthis\ndiscussion between salsa scho
 lars\, dancers\, and musicians\, we will look at how\nsalsa music and danc
 e started and spread\, and how and where it is practiced\ntoday. Along the
  way\, we’ll also touch on topics like the politics of salsa in\nthe US an
 d Cuba\, globalization\, and Latino culture and community in Syracuse.\nPl
 ease join us and bring your questions about Salsa. Facilitator: Enver Figu
 eroa Bazán\, MPA\ncandidate\, Maxwell School. This discussion will be foll
 owed by a\nworkshop on Salsa dancing in the Strasser\nCommons.&nbsp\;&nbsp
 \;Sydney\nHutchinson is assistant professor of ethnomusicology at SU. Form
 erly a dancer\nwith Razz M’Tazz\nMambo Company in New York City and a one-
 time salsa pianist\, she currently\nresearches and teaches about Caribbean
  music and dance.Roberto\nPérez\nis a dancer\, instructor\, and deejay hai
 ling from Havana\, Cuba. He has performed\nat shows and cabarets around So
 uth America\, including Cali\, Colombia’s famous\nSalsa Festival. In Syrac
 use\, Roberto teaches salsa and Cuban movement at SU and\ndance studios ar
 ound the community.Brian Bromka founder\,\nartistic director\, master inst
 ructor\, and choreographer of "La Familia de\nla Salsa"\, one of the large
 st Latin dance organizations in New York State.\nHis career in the perform
 ing arts has spanned four decades and includes radio\,\ntelevision\, stage
  and film as well as multitude of performances in dance\, voice\nand percu
 ssion.&nbsp\;   sponsored by the Program on Latin America and the Caribbea
 n at the Moynihan Institute of Global Affairs 
DTEND:20140404T210000Z
DTSTAMP:20260414T062741Z
DTSTART:20140404T200000Z
LOCATION:
SEQUENCE:0
SUMMARY:PLACA presents: Salsa Round Table
UID:RFCALITEM639117304613736791
X-ALT-DESC;FMTTYPE=text/html:<p></p><p><i>Salsa: A Roundtable Discussion on
 &nbsp\;the Origins\, Politics and Practices of the Popular Dance</i></p><p
 ><br></p><p> </p>In\nthis\ndiscussion between salsa scholars\, dancers\, a
 nd musicians\, we will look at how\nsalsa music and dance started and spre
 ad\, and how and where it is practiced\ntoday. Along the way\, we’ll also 
 touch on topics like the politics of salsa in\nthe US and Cuba\, globaliza
 tion\, and Latino culture and community in Syracuse.\nPlease join us and b
 ring your questions about Salsa. Facilitator: Enver Figueroa Bazán\, MPA\n
 candidate\, Maxwell School. This discussion will be followed by a\nworksho
 p on Salsa dancing in the Strasser\nCommons.&nbsp\;&nbsp\;<p><br></p><p>Sy
 dney\nHutchinson is assistant professor of ethnomusicology at SU. Formerly
  a dancer\nwith Razz M’Tazz\nMambo Company in New York City and a one-time
  salsa pianist\, she currently\nresearches and teaches about Caribbean mus
 ic and dance.</p><p><br></p><p>Roberto\nPérez\nis a dancer\, instructor\, 
 and deejay hailing from Havana\, Cuba. He has performed\nat shows and caba
 rets around South America\, including Cali\, Colombia’s famous\nSalsa Fest
 ival. In Syracuse\, Roberto teaches salsa and Cuban movement at SU and\nda
 nce studios around the community.</p><p><br></p>Brian Bromka founder\,\nar
 tistic director\, master instructor\, and choreographer of "La Familia de\
 nla Salsa"\, one of the largest Latin dance organizations in New York Stat
 e.\nHis career in the performing arts has spanned four decades and include
 s radio\,\ntelevision\, stage and film as well as multitude of performance
 s in dance\, voice\nand percussion.&nbsp\;<p> </p><p> </p><p> </p><p><br><
 /p><p>sponsored by the Program on Latin America and the Caribbean at the M
 oynihan Institute of Global Affairs </p><p></p>
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