BEGIN:VCALENDAR
VERSION:2.0
METHOD:PUBLISH
PRODID:-//Telerik Inc.//Sitefinity CMS 15.1//EN
BEGIN:VTIMEZONE
TZID:Eastern Standard Time
BEGIN:STANDARD
DTSTART:20251102T020000
RRULE:FREQ=YEARLY;BYDAY=1SU;BYHOUR=2;BYMINUTE=0;BYMONTH=11
TZNAME:Eastern Standard Time
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
END:STANDARD
BEGIN:DAYLIGHT
DTSTART:20250301T020000
RRULE:FREQ=YEARLY;BYDAY=2SU;BYHOUR=2;BYMINUTE=0;BYMONTH=3
TZNAME:Eastern Daylight Time
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DESCRIPTION:Sumathi Ramaswamy\n\nJames B. Duke Professor of History and Int
 ernational\nComparative Studies\n\nDuke UniversityMohandas K. Gandhi has b
 een described as “an artist of\nnon-violence” crafting a set of practices 
 of the self and politics that earned\nhim the mantle of Mahātma\, “the gre
 at soul.”&nbsp\; There is an enormous\nbody of scholarship that has explor
 ed and critiqued Gandhi’s philosophy and\npraxis of satyāgraha\, non-viole
 nt civil disobedience.&nbsp\; Yet what\ndoes it mean to think of satyāgrah
 a as an aesthetic regime\, and its\nprincipal exponent as the paradigmatic
  artist of disobedience? In this\npresentation\, Ramaswamy sets out to ans
 wer these questions with the help of\nIndia’s modern artists who have turn
 ed to the Mahātma as their muse over\nthe past century\, but especially in
  recent decades.Co-sponsors: Syracuse University College of Arts &amp\; Sc
 iences\; Syracuse University Humanities Center\; Syracuse University Libra
 ries\; Department of Art and Music Histories\; Department of History\; Dep
 artment of Communication and Rhetorical Studies Department of Magazine\, N
 ews and Digital Journalism\; Goldring Arts Journalism Program\; Visual Com
 munications Department\, Newhouse\; Light Work\; Lender Center for Social 
 Justice\; Democratizing Knowledge Project\, and Renée Crown University Hon
 ors Program.For more information or to request an accommodation\, please c
 ontact: Emera Bridger Wilson (elbridge@syr.edu).&nbsp\; 
DTEND:20191113T210000Z
DTSTAMP:20260512T000527Z
DTSTART:20191113T191500Z
LOCATION:
SEQUENCE:0
SUMMARY:Gandhi in the Gallery: The Art of Disobedience - SAC
UID:RFCALITEM639141267276262460
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Sumathi Ramaswamy</strong>\n</p><p>
 \nJames B. Duke Professor of History and International\nComparative Studie
 s\n</p><p>\nDuke University</p><p><br></p><p>Mohandas K. Gandhi has been d
 escribed as “an artist of\nnon-violence” crafting a set of practices of th
 e self and politics that earned\nhim the mantle of <i>Mahātma</i>\, “the g
 reat soul.”&nbsp\; There is an enormous\nbody of scholarship that has expl
 ored and critiqued Gandhi’s philosophy and\npraxis of <i>satyāgraha</i>\, 
 non-violent civil disobedience.&nbsp\; Yet what\ndoes it mean to think of 
 <i>satyāgraha</i> as an aesthetic regime\, and its\nprincipal exponent as 
 the paradigmatic artist of disobedience? In this\npresentation\, Ramaswamy
  sets out to answer these questions with the help of\nIndia’s modern artis
 ts who have turned to the <i>Mahātma</i> as their muse over\nthe past cent
 ury\, but especially in recent decades.</p><p><br></p><p>Co-sponsors: Syra
 cuse University College of Arts &amp\; Sciences\; Syracuse University Huma
 nities Center\; Syracuse University Libraries\; Department of Art and Musi
 c Histories\; Department of History\; Department of Communication and Rhet
 orical Studies Department of Magazine\, News and Digital Journalism\; Gold
 ring Arts Journalism Program\; Visual Communications Department\, Newhouse
 \; Light Work\; Lender Center for Social Justice\; Democratizing Knowledge
  Project\, and Renée Crown University Honors Program.<br></p><p><br></p><p
 >For more information or to request an accommodation\, please contact: Eme
 ra Bridger Wilson (elbridge@syr.edu).&nbsp\;<br> </p><p><br></p>
END:VEVENT
END:VCALENDAR