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DESCRIPTION:Ink in East Asia Symposium Program:&nbsp\;\n\n\n 1:00 pm Openin
 g Remarks\n\n\n\n 1:15\n     pm Takashi Tebori Demonstration\n\n\n\n 2:00 
 pm Break and Set-up/takedown\n\n\n 2:15\n     pm Portfolio Presentation\n\
 n\n 3:00 pm Break and set-up3:15\n     pm Panel Discussion on East Asian T
 attoo Culture\n\n\n 4:00 pm Q&amp\;A Session\n\n\n 4:30\n     pm Closing R
 emarks\n\n\n\n 4:45\n     pm Takedown and Mingling Panelists:Zhuo\n     Da
 n Ting is a Chinese tattoo artist from\n     Heilongjiang. Beginning her t
 attoo career in 2001\, Ms. Ting opened her\n     first tattoo parlor in We
 nyifuxing in 2003. In 2007\, Ms. Ting moved to\n     Shanghai and opened S
 hanghai Tattoo\, which continues to be at the\n     forefront of the tatto
 o scene in China. Specializing in traditional\n     Chinese art and photor
 ealism\, Ms. Ting's work has earned her praise\n     worldwide. CNN has ca
 lled her "China's First Lady of Tattoo."\n     She is currently residing i
 n Folsom\, CA\, following the opening of a second\n     Shanghai Tattoo sh
 op there.https://shanghaitattoo916.com/artists/\n \n\n\n\n \nhttps://www.i
 nstagram.com/zhuodanting/\n\n\n Takashi\n     Yamamoto is a Japanese tatto
 o artist\n     from Fukui prefecture in Japan. He began his training at 22
  years old in\n     London. He returned to Japan and began incorporating t
 raditional Japanese\n     techniques into his art. Takashi is one of the y
 oungest practitioners of\n     the traditional Japanese tattoo style known
  as tebori. Takashi is\n     currently working at the legendary&nbsp\;Goku
 rakuten studio in Fukui.\nhttp://www.horitsubaki.com/https://www.instagram
 .com/horitsubaki/ Joshua Thompson is a California native and has cultivate
 d an avid interest in\ntattoos from an early age. He built his own tattoo 
 gun at 16 years and began\ntattooing friends and acquaintances. He is also
  heavily involved in the punk\nmusic scene and has traveled extensively in
  pursuit of both music and tattoos.\nHe is married to Zhuo Dan Ting and ru
 ns two tattoo parlors internationally with\nher.&nbsp\;\n\n\n \nhttps://ww
 w.instagram.com/shua415/Gareth Fisher is an Associate Professor of Religio
 n and Anthropology at Syracuse University. His work focuses on the revival
  of lay Buddhism in contemporary mainland China where he has conducted eth
 nographic research for more than a decade. Fisher’s research interests inc
 lude examining how new converts brought up under the influence of communis
 m become attracted to Buddhist teachings and exploring the cultural politi
 cs surrounding the restoration of Buddhist temples in the post-Mao period.
  &nbsp\;He is the recipient of two Fulbright awards and has received resea
 rch fellowships at Yale University and the Max Planck Institute for the St
 udy of Religious and Ethnic Diversity in Gōttingen\, Germany.&nbsp\;Brian 
 Hurley is an&nbsp\;Assistant Professor of Japanese Literature\, Film\, and
  Culture in the Department of Languages\, Literatures\, and Linguistics at
  Syracuse University. He is a student of modern Japanese literature and th
 ought with interests in close reading\, film\, visual culture\, economics\
 , and critical theory. His recent research has also considered literature 
 and politics in midcentury America\, theories and practices of translation
 \, and aspects of classical Japanese literature. He serves as the coordina
 tor of the Japanese Studies minor in the Department of Languages\, Literat
 ures &amp\; Linguistics\, and as the co-organizer of the Asian Humanities 
 in Global Context working group\, which he created with the support of the
  Central New York Humanities Corridor. He is currently finishing his first
  book\, tentatively titled Conspiring With Modern Japanese Literature and 
 Thought. It brings to light a series of previously unexamined dialogues in
 volving prominent writers and intellectuals who "conspired" (or "breathed 
 together") in a range of ideological contexts from the 1920s-1950s. He has
  also begun his next project\, which examines the nexus of literary and ec
 onomic forms of imagination in Japan (and beyond) from roughly the 1980s t
 o the present. You can summit your questions\nfor the&nbsp\;Panel Discussi
 on on East Asian Tattoo Culture: https://forms.gle/7iHu7pzxHZwoAM1R8 &nbsp
 \;Sponsored by Maxwell School of Citizenship and Public Affairs\, Moynihan
  Institute of Global Affairs\, East Asia Program\, College of Arts\nand Sc
 iences\, Renée Crown Honors Program\, Center for Undergraduate Research\, 
 Japanese Studies Program\, Chinese Studies Program\,&nbsp\;S.I. Newhouse S
 chool of Public Communications\,&nbsp\;Public Relations\, and Television\,
  Radio &amp\; Film For more information\, contact Havva Karakas-Keles\, hk
 arakas@syr.edu&nbsp\;&nbsp\;&nbsp\;  \n\n \n\n\n\n\n\n\n\n \n\n\n\n \n\n\n
 \n\n \n\n\n\n\n\n\n&nbsp\;\n\n\n \n\n\n\n\n\n\n 
DTEND:20190419T210000Z
DTSTAMP:20260511T184259Z
DTSTART:20190419T170000Z
LOCATION:
SEQUENCE:0
SUMMARY:Ink in East Asia Symposium 
UID:RFCALITEM639141073791514703
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Ink in East Asia Symposium </strong
 ></p><p><strong>Program:&nbsp\;</strong></p><p>\n\n</p><p>\n 1:00 pm Openi
 ng Remarks</p><p><span></span>\n\n\n</p><p>\n 1:15\n     pm Takashi Tebori
  Demonstration</p><p><span></span>\n\n\n</p><p>\n 2:00 pm Break and Set-up
 /takedown</p><p>\n\n</p><p>\n 2:15\n     pm Portfolio Presentation</p><p>\
 n\n</p><p>\n 3:00 pm Break and set-up</p><p>3:15\n     pm Panel Discussion
  on East Asian Tattoo Culture</p><p><span></span>\n\n</p><p>\n 4:00 pm Q&a
 mp\;A Session</p><p>\n\n</p>\n 4:30\n     pm Closing Remarks<span></span>\
 n<p>\n\n</p><p>\n 4:45\n     pm Takedown and Mingling </p><p><strong>Panel
 ists:</strong></p><p><span></span><b>Zhuo\n     Dan Ting </b>is a Chinese 
 tattoo artist from\n     Heilongjiang. Beginning her tattoo career in 2001
 \, Ms. Ting opened her\n     first tattoo parlor in Wenyifuxing in 2003. I
 n 2007\, Ms. Ting moved to\n     Shanghai and opened Shanghai Tattoo\, whi
 ch continues to be at the\n     forefront of the tattoo scene in China. Sp
 ecializing in traditional\n     Chinese art and photorealism\, Ms. Ting's 
 work has earned her praise\n     worldwide. CNN has called her "China's Fi
 rst Lady of Tattoo."\n     She is currently residing in Folsom\, CA\, foll
 owing the opening of a second\n     Shanghai Tattoo shop there.</p><p><a h
 ref="https://shanghaitattoo916.com/artists/">https://shanghaitattoo916.com
 /artists/</a></p><p>\n \n\n\n\n \n<a href="https://www.instagram.com/zhuod
 anting/">https://www.instagram.com/zhuodanting/</a></p><p>\n\n</p><p>\n <b
 >Takashi\n     Yamamoto </b>is a Japanese tattoo artist\n     from Fukui p
 refecture in Japan. He began his training at 22 years old in\n     London.
  He returned to Japan and began incorporating traditional Japanese\n     t
 echniques into his art. Takashi is one of the youngest practitioners of\n 
     the traditional Japanese tattoo style known as tebori. Takashi is\n   
   currently working at the legendary&nbsp\;Gokurakuten studio in Fukui.</p
 ><p><span></span>\n<a href="http://www.horitsubaki.com/">http://www.horits
 ubaki.com/</a></p><p><a href="https://www.instagram.com/horitsubaki/">http
 s://www.instagram.com/horitsubaki/</a></p><p> <b>Joshua Thompson </b>is a 
 California native and has cultivated an avid interest in\ntattoos from an 
 early age. He built his own tattoo gun at 16 years and began\ntattooing fr
 iends and acquaintances. He is also heavily involved in the punk\nmusic sc
 ene and has traveled extensively in pursuit of both music and tattoos.\nHe
  is married to Zhuo Dan Ting and runs two tattoo parlors internationally w
 ith\nher.&nbsp\;</p><p>\n\n</p><p>\n \n<a href="https://www.instagram.com/
 shua415/">https://www.instagram.com/shua415/</a></p><p><b>Gareth Fisher </
 b>is an<b> </b>Associate Professor of Religion and Anthropology at Syracus
 e University. His work focuses on the revival of lay Buddhism in contempor
 ary mainland China where he has conducted ethnographic research for more t
 han a decade. Fisher’s research interests include examining how new conver
 ts brought up under the influence of communism become attracted to Buddhis
 t teachings and exploring the cultural politics surrounding the restoratio
 n of Buddhist temples in the post-Mao period. &nbsp\;He is the recipient o
 f two Fulbright awards and has received research fellowships at Yale Unive
 rsity and the Max Planck Institute for the Study of Religious and Ethnic D
 iversity in Gōttingen\, Germany.&nbsp\;<b></b><span></span><br></p><p><str
 ong>Bria</strong><b><strong>n</strong> Hurley </b>is an<span></span>&nbsp\
 ;Assistant Professor of Japanese Literature\, Film\, and Culture in the De
 partment of Languages\, Literatures\, and Linguistics at Syracuse Universi
 ty. He is a student of modern Japanese literature and thought with interes
 ts in close reading\, film\, visual culture\, economics\, and critical the
 ory. His recent research has also considered literature and politics in mi
 dcentury America\, theories and practices of translation\, and aspects of 
 classical Japanese literature. He serves as the coordinator of the Japanes
 e Studies minor in the Department of Languages\, Literatures &amp\; Lingui
 stics\, and as the co-organizer of the Asian Humanities in Global Context 
 working group\, which he created with the support of the Central New York 
 Humanities Corridor. He is currently finishing his first book\, tentativel
 y titled <em>Conspiring With Modern Japanese Literature and Thought</em>. 
 It brings to light a series of previously unexamined dialogues involving p
 rominent writers and intellectuals who "conspired" (or "breathed together"
 ) in a range of ideological contexts from the 1920s-1950s. He has also beg
 un his next project\, which examines the nexus of literary and economic fo
 rms of imagination in Japan (and beyond) from roughly the 1980s to the pre
 sent. </p><p>You can summit your questions\nfor the&nbsp\;Panel Discussion
  on East Asian Tattoo Culture: <a href="https://forms.gle/7iHu7pzxHZwoAM1R
 8">https://forms.gle/7iHu7pzxHZwoAM1R8</a> &nbsp\;</p><p>Sponsored by Maxw
 ell School of Citizenship and Public Affairs\, Moynihan Institute of Globa
 l Affairs\, East Asia Program\, College of Arts\nand Sciences\, Renée Crow
 n Honors Program\, Center for Undergraduate Research\, Japanese Studies Pr
 ogram\, Chinese Studies Program\,&nbsp\;S.I. Newhouse School of Public Com
 munications\,&nbsp\;Public Relations\, and Television\, Radio &amp\; Film 
 </p><p>For more information\, contact Havva Karakas-Keles\, <a href="mailt
 o:hkarakas@syr.edu">hkarakas@syr.edu</a>&nbsp\;&nbsp\;&nbsp\;  </p><p>\n\n
 <br> </p>\n\n<br><p>\n\n<br></p><span></span>\n<p>\n\n</p>\n \n\n\n\n \n<b
 r>\n\n<br><p>\n\n<br> </p><p>\n\n<br></p>\n<p>\n\n<br></p><p>\n\n&nbsp\;<s
 pan></span>\n</p><p>\n\n<br> </p><p><span></span>\n<br></p><p>\n\n<br></p>
 <p>\n\n<br></p><p>\n\n<br> </p>
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